MUST SEEK HIGHER GROUND IMMEDIATELY AS A NEW ROUND OF FLOODING IS IMMINENT! THIS NEW FLOODINGĬOULD BE MORE SIGNIFICANT THAN THE INITIAL ROUND! YOU MUST GO TO THE HIGHEST POSSIBLE LOCATION THOSE CURRENTLY RESPONDING TO EARLIER FLASH FLOODING This second round of heavy rain prompted even stronger statements in the Flash Flood Emergency: HEAVY RAIN HAS MOVED BACK INTO THIS AREA. This second round was of nearly equal intensity to the first, and had equal or greater impacts. Total rainfall estimates reached six inches by 5:15pm just south of Old Town Ellicott City, and in the Oella and Catonsville areas.Ī second round of heavy rain pushed across Ellicott City between 5:00pm and 6:00pm, with the heaviest rain occurring between 5:20pm and 5:50pm. The highest water - up to the top of the first floor of buildings - was observed between 4:40pm and 5:00pm, then water levels began to recede somewhat.Īt the time of this highest water (4:40pm), a Flash Flood Emergency was declared by the National Weather Service, in coordination with Howard County Emergency Management, due to the ongoing catastrophic flooding, and the heaviest rain was still falling at that point. Remarkably, conditions continued to worsen throughout the Ellicott City area between 4:30pm and 5:00pm as the rain shifted just south of the city, with overland flooding occurring in West End as well as even more significant water coming down the Tiber and through both Tiber Alley and the buildings on the south side of Main Street. Two minutes later, at 4:20pm, the water level in the Tiber further increased, exceeding the capacity of the channel in the 8100 block of Main Street and near Tiber Alley, sending water both into nearby structures and down the Alley onto Main Street.Īs initial reports of this more significant water came in to the National Weather Service, the Flood Warning was upgraded to a Flash Flood Warning, at 4:26pm. This heavy rain caused a major rise in the New Cut Branch ( click here for an annotated map of the watershed), and the added water pushed the Tiber River out of its banks at 4:18pm near Tiber Alley. Video shows Main Street was still passable until around 4:20pm.īetween 4:00pm and 4:30pm, the heavy rain persisted, quickly dropping an estimated two inches of rain in a band just south of Ellicott City to near Catonsville. At 4:00pm, video footage showed a small amount of flowing water near the curbs on Main Street in Ellicott City, with rain increasing in intensity. This initial rain pushed south of Ellicott City after causing an estimated 1.5 to 2 inches of rain, but by 4:00pm, had built back over both Ellicott City and Catonsville. Just as the rain began, a Flood Warning was issued at 3:19pm for portions of Howard County, Baltimore County, and Baltimore City, including Ellicott City, Catonsville, Dundalk, and Baltimore City, all of which experienced significant flooding during this event. Social Media slide showing the Flash Flood Watch. On Sunday morning, May 27th, a Flash Flood Watch was issued for the Baltimore/Washington corridor, highlighting the potential for showers and thunderstorms capable of producing heavy rain during the afternoon and evening. The National Weather Service (NWS) began highlighting the potential for flooding in the Hazardous Weather Outlook (link) beginning on Friday morning, May 25th: Thunderstorms capable of producing locally heavy rain may lead to isolated incidents of Some roads were washed out and land erosion and localized landslides were reported. Hundreds of people were addressed by first responders during the event, with around 1100 separate 911 calls reported in to Howard County. Many buildings were damaged and dozens of vehicles experienced flood damage. One person - 39-year old Eddison Hermond, died while trying to help a woman who was seeking assistance after the first flood wave. The heavy rainfall, between 6 and 12 inches in the heaviest band, caused catastrophic damage, especially in Historic Ellicott City. Ellicott City & Catonsville, Maryland - Heavy Rain and Flash Flooding of May 27th, 2018įor the second time in just 22 months, torrential rain fell in the Ellicott City and Catonsville areas of Howard and Baltimore Counties.
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Noise pollution has been overlooked, experts say. “The benefits are immediate.” The bane of noise “What was surprising was the scale and how quickly it happened,” says Matt Pine, lead author on the study. This increased the communication range of fish and dolphins by up to 65 percent. Similar research in New Zealand found that during the Marc 2020 pandemic lockdown, ambient sound levels in shipping channels dropped nearly threefold within 12 hours. Research by the WWF in collaboration with Seamar, StylesGroup Underwater Acoustics, the University of Victoria, and Oceanway Corp found that during the pandemic-when ferry traffic halted-the Chinese white dolphin’s levels of foraging jumped, seen during 70 percent of researchers’ observations-up from 8.5 percent before. As a result, the two cetaceans local to Hong Kong, Sousa chinensis and the Indo-Pacific finless porpoise ( Neophocaena phocaenoides) have been rated “vulnerable” on the IUCN Red List since 2017. These animals rely on sound for feeding, socializing, and navigation, and are sensitive to loud noises, which can cause hearing loss or even death. They face threats such as prey depletion, habitat loss, water pollution, and ship strikes, but a growing body of research into the damaging effects of noise pollution has set alarm bells ringing. The dolphins are sometimes known as the “giant panda of the sea,” and inhabit shallow, estuarine waters near shore. Since 2016, Woo and her team have been carrying out acoustic monitoring at around a dozen locations in the area and found that noise disturbances-a cacophony of buzzing propellers, submarine drilling, industrial trawlers, and more-have shrunk the animals’ communication range by up to 45 percent. “The dolphins are being suffocated by man-made noise,” says Doris Woo, project manager for cetacean conservation at WWF Hong Kong. But they are declining every year due to “severe human disturbance,” according to the WWF, a conservation group.Īnd the number within Hong Kong-mostly inhabiting the waters south of Lantau Island-has dropped by over 80 percent in the past 15 years, according to WWF. Meanwhile, the surrounding Pearl River Delta is home to somewhere around 2,000 Chinese white dolphins ( Sousa chinensis), likely the world’s largest discrete population. It is one of the most densely-urbanized areas on the planet. M圜DS.The subtropical sea surrounding Hong Kong is a noisy place: A flow of massive freight ships chug through constantly high-speed ferries jet time-pressed businesspeople to meetings in towers and the coastal development is never-ending. "1|How are you?" - start text to speech conversion with current selected narratorĮxample connection from C/C++ application:Ĭhar* sendCommand="0|C:\\music\\test.mp3" "0|C:\music\good.mp3" - start playing good.mp3 file "3|13|2.55"Ĭommand X=4 ( set sound fx ), Y - (1-4) - selected effect (0:disable)Ĭommand X=5 ( set sound volume ), Y - (0-100)Ĭommand X=6 ( enable VST effect ), Y - (string) - "disable", "configure", "VST name"Ĭommand X=7 ( music control ), Y - 0:pause 1:resumeĬommand X=8 ( activate profile ), Y - profile name X - numeric comand, Y-string/numeric valueĬommand X=0 ( start audio file ), Y - is file locationĬommand X=1 ( start text to speech ), Y - text to be convertedĬommand X=2 ( enable/disable Clownfish ), Y - 0/1Ĭommand X=3 ( set voice changer ), Y - (0-14) - selected voice (0:none)Ĭommand Custom pitch 3|13|Z - Z float pitch level (-15.0 to +15.0) ex. Sent command should be utf8 encoded string in this format "X|Y". You can control Clownfish by sending windows messages from your application( see Data Copy ) IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software. Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions: I did a test at 100 yards, just to see, and I managed an average group size of 1.25”. That’s another good performance and you could see the odd flier, which was probably due to the wind or me! During the test, I had gusty, 8-10 mph winds, so these groups were very good. Very impressive for a subsonic rimfire, mind you, my old Sako Finnfire shoots really well. Personally, I like to keep the ranges sensible as I usually head shoot rabbits only with a. GroupingsĪccuracy wise, I set up targets at 30 and then 50 yards as these are my usual zero ranges. This information should give you an idea of reliability and any velocity changes, as every gun is different, with short, long, worn or differing rifling groove and land dimensions making a big difference. Again, it was superbly quiet, with just the slap of the action working, plus it produced decent 0.55” groups at 30 yards. The achieved velocity/ energy came in at 1018 FPS | 92 ft/lbs. I also tried the ammo in a fully suppressed Ruger 10/22 rifle that is ported at the muzzle. The rifle is unbelievably quiet and all you can hear is the firing pin dropping and a gentle hiss as the bullet exits! Even though the ported barrel bleeds off gases just in front of the chamber, it still managed to produce 72.6 ft/bs energy. With the Norma ammo, it shot superbly well, with tiny cloverleaf groups at 30 yards and a velocity of 904 FPS. I also shot some loads through my fully suppressed Sako SSR rifle, which has a ported barrel and a full-length silencer shroud. It’s old and well run in but that light oil lube does not gum up magazines like wax would, and this certainly helps. The Browning semi-auto produced 1008 FPS, plus still loaded and ejected fine. To check velocity, I also tried it through a new Ruger American with an 18” barrel (1022 FPS) and a Mauser with a 26.5” barrel (1045 FPS). I tested the ammo in my bolt action Sako and then the reliability through a Browning semi-automatic rifle. The powder charge is only 1.2-grains of a small, greenish, extruded powder and you also have a very uniform light green primer mixture to the rim portion only, this greatly improves consistency. The case is RWS, as it has the same shield logo and ‘R’ stamped into the centre. Of course, this design gives a good terminal ballistic effect for expanding the bullet, unlike a round nose design that will have a better ballistic coefficient. The oil lube filled all the hollow points on the sample rounds. The driving bands (compression/lube rings) are of three equal sizes, with a thinner, fourth top ring that makes way to a truncated nose shape and a HP. This helps lubricate the passage of the bullet down the bore and increases reliability in semi-automatics too. If you take one of the rounds apart, you first notice the oil-based lubrication on the lead bullet, not wax. The diameter measured 0.224”, which is standard for this type of lead rimfire round, plus showed a typical long rifle length of 0.9675” The actual weight for an average of ten was 40.4-grains and as you will see, the velocity varied depending on the barrel length and the action type of the rife used (bolt or semi-automatic). The bullet specifications on the box show a lead, 40-grain hollow point (HP) that moves at a velocity of 1017 FPS. The bullet trajectory was run through the QuickTarget ballistic program, having computed the BC by measuring the true velocity down range. The accuracy tests were conducted at 30 and 50 yards. The ballistic media was set up at 30 yards, which is my typical rabbit range. 22LR sound moderator and a Hawke Vantage scope. I set the chronograph up 15ft away from my Sako rimfire custom, which has a 14.5” barrel and is fitted with a Schultz & Larsen (S&L). The aim today is to see how they perform both ballistically and downrange in terminal and trajectory conclusion. As you would expect, they are very well made and packaged. 22LR round on test is part of a range from Norma that includes four rimfire rounds: Jaktmatch, Match, Subsonic and Tac-22. Here, Norma USA gets RWS to make rounds that are distributed by the RUAG group. If they do not have their own facilities, then they will commission others to make the ammo. The company has started to market rimfire ammunition, something that many manufacturers of centrefire ammunition are now doing. 308 Win 150-grain ammunition got me through the old Woodland Stalking certificate many moons ago, so anything new from Norma and my ears pricks up. Norma is one of my favourite centrefire rifle ammunition manufacturers as their factory ammo is always consistent and accurate, plus the brass is excellent for reloading. Portable Ace Utilities 6.3.0.Build 291 Portable Acme CAd Converter 8. 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This Mac phone transfer tool is fully compatible with Android devices running Android 2.1 and up, including those produced by Samsung, HTC, LG, Sony, Motorola, Google, ZTE, Huawei, etc. However, Wondershare MobileTrans for Mac enables you to erase all existing data and deleted data from your old Android device, iPhone, iPad or iPod touch permanently.įully Support Android 2.1 and up, and iOS 5.0 and later Factory reset helps erase lost of data, but it can't erase all and the data can be easily recovered by some recovery tool. Want to sell, recycle, donate or give away your old phone or tablet? You must NOT want your personal data falls into a wrong hand. Lately, you can extract the backup files created by iTunes, MobileTrans, Kies, MobileGo and BlackBerry® Desktop Suite and transfer contacts, messages and more to your new phone or tablet. You can backup contacts, messages, music, photos, and more on your old Android device, iPhone, iPad and iPod touch to computer first. 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One helpful method for keeping things looking natural and lived in is to use the "overlay” blend mode.Ĭontinue to learn about using film grain in Photoshop and Premiere Pro with help from the Adobe Help Center. Filmmakers and photographers have utilized the limitations of film. Like many photographic and video techniques, it can often be used to great stylistic effect. You might recognize it in photos as small flecks of black or dark material (grains) in an image. Once you’ve done that, add it to your track. As long as there have been photographs, film grain has been a part of the art form. Plus, explore over 11 million high-quality video and footage clips in every. There are multiple camera overlays in the pack, so you can experiment with the grid style, focus range, camera brands, etc. 20044 vintage film overlay stock video clips in 4K and HD for creative projects. The edited photo becomes intriguing and makes viewers inspect it closer thanks to the original framing. You can also apply filters in Adobe After Effects to capture that classic film look. Cam overlays are what you need to show the process of shooting in an interesting way. Find one that works well for your film and import it into your Premiere Pro project. You can capture the look of 35mm film or 8mm film easily with digital filters. You can find free film grain overlays online, and others are available to purchase. 673 Best 8mm Overlay Free Video Clip Downloads from the Videezy community. In Adobe Premiere Pro, you’ll need to find a film grain overlay. If you’d like to exercise a greater degree of control over the image, you can utilize blending modes. You can mix, match, and edit the noise to be as grainy as you like. In Adobe Photoshop, you have several options for adding film grain. Modern video and photo editing tools make adding in film grain easier than ever before, especially in a post-production environment with a full suite of tools. Amy Lombard: While she doesn’t limit herself to only using grain, Lombard’s photography can be a great source of inspiration for how color and film grain can interact.Louis Faurer: Faurer was known for taking candid street photographs, especially nocturnal scenes, where he tried to capture the deeply human aspects of life.The Third Man: An iconic noir film, the night and darkness scenes in this film utilize the graininess of film at the time as an asset.Christopher Nolan: Many Nolan films utilize film grain to great effect, and you can see this in Dunkirk, his most recent war film.Here are some inspiring film grain examples: Having an era in mind or an example of how you want your photos or videos to look is a great way to start thinking about where and when to use film grain in your work. “The more we get to a clean digital world, the more we long for analog things that make us feel a sense of texture and connection,” filmmaker Nick Escobar says. 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Schumacher battery chargers are known for their reliability, durability, and effectiveness in recharging and maintaining batteries. Conclusion Introduction to Schumacher Battery Chargers Introduction:.Staying Updated on Schumacher Battery Charger Technology.Selecting the Right Battery Charger for Your Needs.Replace damaged or burnt-out indicator lights promptly:.Protect the indicator lights from damage:.Inspect your charger’s wires and connections regularly:.Store your battery charger in a cool, dry place:.Maintenance and Care for Schumacher Battery Chargers.9 Safety Tips for Using Battery Chargers. Alternating red and green indicator lights:.Understanding Schumacher Battery Charger Indicator Lights.Understanding Schumacher Battery Charger Indicator Lights:.Applications of Schumacher Battery Chargers:.Introduction to Schumacher Battery Chargers. To study real-time language processing, researchers often track people’s eye movements while they look at a collection of objects or a scene and listen to spoken language. In English, and in all known human languages, processing is thought to be incremental–it proceeds bit by bit as the signal (e.g., speech) unfolds. In the novella, heptapods have a series of eyes going all the way around their heads – they can see in 360 degrees at once, and don’t appear to distinguish between “forwards” and “backwards” as they have full perception in any direction. Chiang’s novella describes a logogram as being able to contain an arbitrary amount of information (words, sentences, paragraphs).Īn implication of the film is that the heptapods are able to entertain all of the intricacies of one of these logograms at once. Their logograms are intended to be interpreted all at once – and they can be quite complicated. One of the most fascinating things about the heptapods’ communication system is that it’s non-linear. As Louise learns the heptapod language, she begins to “remember” the future – the way she thinks has apparently started to change based on the new language she is learning. Eventually, we come to understand that Louise’s daughter will die at a young age, and that these memories are “flash-forwards,” and not flash-backs. Meanwhile, as Louise begins to understand the language of the heptapods, she starts to experience memories that initially appear to be “flashbacks” from her life–mostly of Louise’s daughter at various ages. In the novella, the little bits of meaning in the logograms can be arranged in all sorts of configurations, meaning they must be perceivable from any angle. These logograms are complex, with many meaningful pieces, and they are produced all at once. Over time, Louise discovers the heptapods communicate using intricate symbols, which she terms logograms, that do not correspond to their verbal communication system. The aliens, who have seven limbs, are dubbed heptapods. As a field linguist, Louise has experience working with under-studied languages, though nothing can compare to the complex visual communication system she is about to uncover. government recruits a scientist, Louise, to learn their language. Learning the language of the heptapodsĪfter the aliens land in oblong spaceships across the world, the U.S. To my eye, the novel dives in deeply in a few places where the film is wanting–but both encourage us to reconsider our own stories by taking a different vantage point on our own lives.Ī warning: SPOILERS AHEAD! There’s no way to talk about the most interesting parts of Arrival without spoiling this film, so I won’t even try. Both the book and the film involves the exploration of an alien communication system that is radically (pun intended) different from human language. And as a grad student who studies how the temporal dynamics of how the human brain processes language, the movie left a striking impression.Īfter watching the film, I quickly laid hands on its inspiration, a novella by Ted Chiang called The Story of Your Life. Lots of sci-fi movies might begin with funny-shaped vessels landing on earth, but very few of them end with a (female!) linguist helping to save humanity by learning to speak the language of their inhabitants.Īs an only occasional viewer of science fiction movies, I was pleasantly surprised by the limited number of explosions and larger number of thoughtful moments-not to mention the thoughtful treatment of “aliens” as cognitively advanced beings and the beautiful illustration of their visual language-in Arrival. While this is not a direct flaw of the RODECaster itself, this situation arises so often that it seems fitting to place this here. So while the export process may now be more flexible, it doesn’t change the fact that the type of podcaster who really only needed a USB microphone still only needs a USB microphone. UPDATE: RODE Has made some improvements in this area with their Companion App, though it’s still a somewhat complex process and tricky for podcasters who aren’t tech-savvy, which is the focus of this article. It ends up being a waste of time that may add to the editing price. The editor has to then download this giant file and remove the unnecessary tracks before working. It takes the podcaster a long time to upload. The remainder simply take up space, creating a giant file containing essentially nothing. In all cases we’ve seen, the podcaster uses only 1 or 2 of these tracks. One of the RODECaster’s export methods sends a giant multi-channel WAV file with all 14 recorded tracks. It took a while, but they now have a decent area on their website which runs through various settings and configuration instructions for the RODECaster. UPDATE: We’re glad to see RODE has made improvements in this area with the RODECaster Pro Learning Hub. So aside from a few basic tutorial videos on their site, this thing is a mystery to us unless we buy one just to have on hand to walk clients through settings.Ĭonsidering this machine is overkill for many podcasters, it simply becomes an expensive headache. “Due to constant firmware updates and feature changes, this would need updated far too frequently”. We contacted RODE support and they told us there’s no manual available. Heading to the RODECaster support page will show you that no downloadable user manual is available from RODE, just a QuickStart guide. We thought it’d be a great idea to check out the user manual! Many of our clients turn to us for help during setup and recording, or we receive their recorded audio and discover problems. One of our biggest pet peeves about the RODECaster is the lack of support from RODE. Although, a happy editor means a happy podcaster. In an effort to be fair, we’ll admit that these may blur into reasons that affect the editor. There are, of course, plenty of situations where the RODECaster Pro is an excellent choice. We’ve seen many people run out and buy one when it simply wasn’t needed. Why are we hating on the RODECaster!? We’re not hating on the RODECaster at all, simply pointing out that it’s an ideal fit for some situations, and not for others. You may be wondering why we would bother writing an article like this. What We Don’t Like About the RODECaster Pro The audio may even be permanently damaged. If this is added poorly from the RODECaster, your editor will be limited in what they can do. Your podcast audio editor is best equipped to add appropriate audio processing. The problem here is that most podcasters are not audio engineers. In our experience, a podcaster who drops $600 on a shiny new RODECaster can’t wait to try it out and play around with the settings. In that case, a simple USB microphone like the Blue Yeti will help you accomplish acceptable results at a far lower pricepoint. Most podcasts are either recorded solo by the host with a single mic, or online via Zoom or Squadcast. The RODECaster Pro has a ton of features the average podcaster may not need. Why You Don’t Need a RODECaster Proįirst, let’s look at the reasons you may not need a RODECaster Pro. It doesn’t include any microphones, so the cost to get going is higher than just the RODECaster Pro itself. It acts as a recorder, mixer, headphone amplifier, phone interface, and more. The RODECaster Pro is labeled by RODE as “the world’s first full integrated podcast production studio”. If you don’t wish for this to happen, simply search for the product/service in your browser rather than clicking our links. This article contains affiliate links and we may share a portion of any sale made by clicking them. For details on the newer model, check out our article on the RODECaster Pro 2. Note: This article refers to the original RODECaster Pro. Read on to learn if a RODECaster Pro is right for you, and how to properly choose your podcast equipment. We know it’s tempting to run out and purchase the most expensive device on the market. In those cases, it offered little benefit over a USB microphone that’s a fraction of the cost. However, we’ve seen podcasters buy this device only to have it complicate their life (and their editor’s life). There are situations where it is a great fit. The RODECaster Pro from RODE is a podcast recording device and more. Tom Ford is an American luxury fashion house founded by fashion designer and filmmaker Tom Ford in 2005.Īlong with fragrances, the brand also offers cosmetics, footwear, ready-to-wear and made-to-measure, and other offerings.īorn August 27, 1961, in Austin, Texas, U.S.A., Thomas Carlyle Ford studied at Bard College at Simon’s Rock and art history at New York University from which he both dropped out to focus on acting in television commercials.
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